Friday, July 21, 2017

Poems carry thoughts expressed in many ways. There are poems that praise objects of nature being the manifestations of the greatness of God, the Creator. There are also poems that focus on common man made objects with no less great meaning. To illustrate this I shall pick up one of my poem originally titled  Kuali Hitam, The poem has been translated into English as A Frying Pan. More translators picked up the English version and turn it into Spanish, Rusian, French and Japanese.

Kuali Hitam/A Frying Pan is an example of a poem being expressed through a common object in any kitchen that is a frying pan.  But the thoughts and message delivered is not only the service of the utensil but a mother’s love and  sacrifices  in bringing up her children.  The poet says that a frying pan in the kitchen where she was born was her was her mother’s best friend

The poet remembered how her mother worked hard in the kitchen and around the house and may be in the field so that her children have something to eat. Nothing pleased her more than to see them enjoying their food.  

But they were too young then to see the depth of mother’s sacrifice.  They did not  realize  that the mother who hugged them lovingly suffered physically due to exposure to the fire in the kitchen year after year. The soot and smoke were hurting her eyes. Her skin scraped by the hot  oil. More than that when they were peacefully snoring at nights the mother could not sleep.  They did not hear her coughing   till the early hours since her lungs have been scratched by smoke and ashes.


The poet grew up and live in the city with her modern kitchen with shiny stainless frying pan /woks. One day the aged mother came and as usual  tried to be as helpful and useful. The mother cooked and after the meal washed the dishes. This is where the sad thing happened. The mother scrubbed a pan with a bristle brush the way she did at home. The poet was alarmed and  cried out that the mother has ruined her costly utensil.  The mother looked very hurt .

A few years later when her mother has returned to her Lord, the poet was in deep remorse. She realized her mistakes.  How could she raise her voice to a mother who have gone through such hardship to feed them.   How could she have valued a cooking utensil more than a mother’s love.

 A FRYING PAN

A frying pan in the kitchen
of the house where I was born
Was my mother’s best friend
All day long


The frying pan
And something being fried
For the children with appetite
Was my mother’s delight


The frying pan
Days and nights
On the fire
We did not count the years.

The mother who cared for the frying pan
Hugged us lovingly
did we look and realize
there was soot in her eyes
feel her skin scraped by the hot fries
her hand darken by smoke
her forehead touched by the heat
we were too sleepy after heavy meals
to hear her coughing, her rough breathing
her painful chest being scratched
by smoke and ashes


we were not aware
and mother did not care
she only knew the joy
of making us happy
eating with appetite
and nothing pleased her more
than to see us satisfied



That’s what happened year after year
the frying pan fulfilled its duty
until we were grown up and lived in the city.

(2)

And now in my modern kitchen
There is no ugly black frying pan
Whenever I have time to spare
And that is very rare
I cook for my children
In my non-stick stainless steel frying pan
Shining and expensive
And after meal I wash it carefully
almost like bathing a baby
With special soft detergent
Following every instruction


One day my mother came to stay
As usual make  herself useful
Cooked and serve my family
Her grandchildren enjoyed her cooking
And mother was very happy


After the meal
She  helped me tidy my kitchen
And as she used to do
To her frying pan
Scrubbed my expensive utensil
With a bristle brush
At once I cried
“you  have ruined my frying pan
Do you know how much it cost?”


My mum looked very hurt
There were a few tears
I must have looked very fierce.


(3)
And now my mum has returned to her Lord
Leaving me in deep remorse
Regretting the way I valued a cooking utensil
Much more than a mother’s love


My mother is no longer here
Hanging lonely on the wall of our old kitchen
Is the frying pan of her life
Can we give it a  price


KUALI HITAM

Sebiji kuali hitam
di dapur rumah kelahiran
adalah teman ibuku
siang dan malam


Sebiji kuali hitam
terjerang di atas tungku
adalah penghibur ibu
ketika kami menunggu


Sebiji kuali hitam
di atas api siang dan malam
tahun demi tahun
kami tidak pernah menghitung


Seorang ibu yang menyayangi sebiji kuali
sering memeluk kami
pernahkah kami perhatikan
matanya yang ditikam serbuk arang
kulitnya yang dikoyak percikan minyak
lengannya yang diserap abu hitam
dahinya yang disengat pucuk api
kami hanya tahu lena kekenyangan
ketika tidur ibu diketuk-ketuk
oleh lelah dan batuk
setelah asap dan abu menggaru-garu
di paru-paru


Kami tidak pernah menyedari
dan ibu pun tidak peduli
dia hanya tahu merasa bahagia
melihat kami keriangan
menunggu sesuatu akan terhidang
dan tidak ada yang lebih membahagiakan
dari melihat kami kekenyangan


Begitulah tahun demi tahun
kuali yang setia menjalankan tugasnya
hingga kami dewasa dan hidup di kota

(2)
  
Kini di dapur rumahku yang bersih
tak ada kuali hitam yang hodoh
cuma pada kesempatan
yang tidak selalu sempat
aku memasak untuk anak-anak
dengan kuali non-stick
yang tebal dan mahal
dan sesudah itu membasuhnya
dengan sabun yang lembut
berhati-hati seperti memandikan bayi
mengikut arahan pada buku panduan


Suatu hari ibu ke rumahku
dengan kerajinannya yang biasa
memasak untuk kami sekeluarga
cucu-cucunya ternyata amat berselera
dan ibu merasa terlalu bahagia


Dan sesudah itu
dengan cara yang dia tahu
mengemas dan merapikan dapurku
dan seperti yang biasa dibuat
pada kualinya di kampung
dia menyental kualiku yang mahal
dengan berus yang kesat
dan spontan aku menjerit
"Ibu merosakkan kuali saga
tahukah ibu berapa harganya?"
Ibu terdiam
barangkali hatinya terguris
barangkali dia hampir menangis
melihat wajahku yang bengis

(3)

Dan kini
setelah ibu kembali kepada Ilahi
aku menyesali keterlanjuran
kiranya aku telah mengukur kasih sayang ibu
dengan harga sebiji kuali

Ibu telah tiada
kuali hitam tergantung sepi
di dinding dapur rumah tua
bolehkah kami menghitung
berapa harganya


https://www.goodreads.com/book/show/18144823-menghadap-ke-pelabuhan


Facing the harbour =  Menghadap ke pelabuhan /  written and translated by Zurinah Hassan.
 
Creator:Zurinah Hassan,1949-
Publisher:Kuala Lumpur :  Institut Terjemahan Negara Malaysia,  2010.
Format:Books
Physical Description:xiv, 123 p. ;19 cm.
Series Title:Malaysian literature series.
Identifier:(ISBN)9830684881 (pbk.)
(ISBN)9789830684888 (pbk.)
(OCoLC)642109599
Language:English
Subjects:Malaysian poetry (English)
Malay poetry -- 20th century -- Translations into English.

Thursday, July 20, 2017


KUALI HITAM/ A FRYING PAN/ LA POELE A FRIRE

Poems carry thoughts expressed in many ways. This is an example of a poem being expressed through a common object in any kitchen that is a frying pan.  But the thoughts and message delivered is not only the service of the utensil but a mother’s love and  sacrifices  in bringing up her children.  The poet says that a frying pan in the kitchen where she was born was her was her mother’s best friend

The poet remembered how her mother worked hard in the kitchen and around the house and may be in the field so that her children have something to eat. Nothing pleased her mum more than to see them enjoying their food.  

But they were too young then to see the depth of mother’s sacrifice.  They did not  realize  that the mother who hugged them lovingly suffered physically due to exposure to the fire in the kitchen year after year. The soot and smoke were hurting her eyes. The skin scraped by the hot  oil. More than that when they were peacefully snoring at nights the mother could not sleep.  She coughed   till the early hours since her lungs have been scratched by smoke and ashes.


The poet grew up and live in the city with her modern kitchen with shiny stainless frying pan /woks. One day the aged mother came and as usual  tried to be as helpful and useful. The mother cooked and after the meal washed the dishes. This is where the sad thing happened. The mother scrubbed a pan with a bristle brush the way she did at home. The poet was alarmed and  cried out that the mother has ruined her costly utensil.  The mother was very hurt .

A few years later when her mother has returned to the Lord, the poet was in deep remorse. She realized her mistakes.  How could she raise her voice to a mother who have gone through such hardship to feed them.   How could she have valued a cooking utensil more than a mother’s love.



KUALI HITAM

Sebiji kuali hitam
di dapur rumah kelahiran
adalah teman ibuku
siang dan malam

Sebiji kuali hitam
terjerang di atas tungku
adalah penghibur ibu
ketika kami menunggu

 Sebiji kuali hitam
di atas api siang dan malam
tahun demi tahun
kami tidak pernah menghitung

 Seorang ibu yang menyayangi sebiji kuali
sering memeluk kami
pernahkah kami perhatikan
matanya yang ditikam serbuk arang
kulitnya yang dikoyak percikan minyak
lengannya yang diserap abu hitam
dahinya yang disengat pucuk api
kami hanya tahu lena kekenyangan
ketika tidur ibu diketuk-ketuk
oleh lelah dan batuk
setelah asap dan abu menggaru-garu
di paru-paru

 Kami tidak pernah menyedari
dan ibu pun tidak peduli
dia hanya tahu merasa bahagia
melihat kami keriangan
menunggu sesuatu akan terhidang
dan tidak ada yang lebih membahagiakan
dari melihat kami kekenyangan

Begitulah tahun demi tahun
kuali yang setia menjalankan tugasnya
hingga kami dewasa dan hidup di kota

(2)
  
Kini di dapur rumahku yang bersih
tak ada kuali hitam yang hodoh
cuma pada kesempatan
yang tidak selalu sempat
aku memasak untuk anak-anak
dengan kuali non-stick
yang tebal dan mahal
dan sesudah itu membasuhnya
dengan sabun yang lembut
berhati-hati seperti memandikan bayi
mengikut arahan pada buku panduan


Suatu hari ibu ke rumahku
dengan kerajinannya yang biasa
memasak untuk kami sekeluarga
cucu-cucunya ternyata amat berselera
dan ibu merasa terlalu bahagia


Dan sesudah itu
dengan cara yang dia tahu
mengemas dan merapikan dapurku
dan seperti yang biasa dibuat
pada kualinya di kampung
dia menyental kualiku yang mahal
dengan berus yang kesat
dan spontan aku menjerit
"Ibu merosakkan kuali saga
tahukah ibu berapa harganya?"
Ibu terdiam
barangkali hatinya terguris
barangkali dia hampir menangis
melihat wajahku yang bengis

(3)

Dan kini
setelah ibu kembali kepada Ilahi
aku menyesali keterlanjuran
kiranya aku telah mengukur kasih sayang ibu
dengan harga sebiji kuali

Ibu telah tiada
kuali hitam tergantung sepi
di dinding dapur rumah tua
bolehkah kami menghitung
berapa harganya


BELOW: ME AND TRANSLATOR JEAN SEVERY

IN REGARDANT LE PORT PUBLISHED BY ITBM MALAYSIA AND L HARMATTAN, PARIS



There are 49 poems in the book. Next entry I shall be talking on a short story translated into French. Orginal tittle is Bendang Lahuma.

Tuesday, July 18, 2017

Translation is vital in sending poems and thoughts across the world.  It is the prerequisite to the understanding of  philosophy, sociology and psychology of other races and cultures..  I write poems in my native language (Bahasa Melayu) which is also the national language of Malaysia. Some of poems have been translated into English, Spanish, Japanese, French and Russian.  This great work have been facilitated by Malaysian Institute of Translation and Books (ITBM). I express my gratitude to ITBM and the translator PATRICIA VASQUEZ MARIN





Here are several poems that have been translated into Spanish .













Sunday, July 16, 2017

Pantun is a subgenre of Malay Tradisional Poetry. As other form of Malay traditional poetry it was originally an oral expression recited in a fixed rhythm . The basic and most popular pantun consist of four lines or a quatrain with abab rhymes schemes , each line should contain between eight to twelve syllables .  

Pantun is the most popular form and widely used today compared to other forms of traditional poetry such as Syair, Seloka, Gurindam etc. . It is used as song lyrics both in folk songs and commercial songs recorded by well known singers. Besides Pantun is often recited during wedding ceremonies, and even in political speeches.
 

MUKUN and DONDANG SAYANG SINGERS doing the BERBALAS PANTUN, where they recite pantuns and have to be answered by the other party. They call this BUYING AND SELLING





The famous Brunei folk singer Yassin Hassan teaching us to beat rebana for accompaniment of Mukun.  

 Here are some pantuns that can be used in a wedding ceremonies. As usual they contain salutations and praises to the bride and bridegroom, welcoming the guests, advice to the newly married.

PANTUN PENGANTIN BARU

Beli gula di pekan baru
Berbalut kertas merah kuning
Sila-sila pengantin baru
Dua sejoli jalan berganding

Di dalam dulang berisi sagu
Sagu dimakan burung merpati
Jangan bimbang jangan ragu
Hidup baru kini menanti

Mawar merah harum mewangi
Jambangan digubah berseri-seri
Doa restu kami iringi
Baik berpakat suami isteri

Kain songket halus tenunan
Dibawa orang masuk ke kota
Sudah bertemu dengan pasangan
Laksana cincin dengan permata


Laksamana cergas dan tangkas
Cukup berilmu dengan gurunya
Ibarat dakwat dengan kertas
Sudah bertemu dengan jodohnya

Padang temu konon namanya
Tempat kuda berlari-lari
Sudah bertemu dengan jodohnya
Bagai cincin lekat di jari.


Bunga manggar di kanan kiri
Bunga rampai hiris hirisan
Pengantin baru raja sehari
Tambah berseri dengan hiasan

Harum semerbak bunga rampai
Sekuntum mawar sudah disunting
Duduk keliling tetamu yang ramai
Melihat pengantin duduk bersanding

Bunga anggerik jual di pekan
Tumbuhnya rendang di atas para
Silalah tuan para jemputan
Sudi kiranya menjamu selera

Selendang mayang selendang batik
Batik dari Surabaya
Makin dipandang bertambah cantik
Naik seri dengan cahaya

Ikan gelama ikan tenggiri
bersama dengan ikan cencaru
Bersama-sama kami ke mari
Hendak meraikan pengantin baru

Buah rambai tumbuh dihutan
Dihujung ranting buahnya lebat
Mari beramai kita doakan
Semoga majlis mendapat berkat

Untuk santapan para tetamu
Lauk pauk nasi beriani
Sekali ini kita bertemu
Sudilah menjamah hidangan kami

Cantiknya burung cenderawasih
Terbang sekawan di hari petang
Kami ucapkan terima kasih
Kepada tuan yang sudi datang

Sungguh harum bunga rampai
Dibawa orang ke tengah balai
Sanak saudara sahabat handai
Datang meraikan dua mempelai

Yang jauh sudahlah dekat
Sudah dekat bersalam-salaman
Kami berdoa semoga berkat
Menempuh hidup di dalam aman

Sudah bersarang burung tempua
Sarangnya tinggi tidaklah rendah
Dahulu seorang sekarang berdua
Ikatan janji tertunai sudah

Sudah bersarang burung tempua
Sarangnya jauh tidaklah dekat
Dahulu seorang sekarang berdua
Baik-baik duduk berpakat

Kain baldu kain bertekat
Dibawa orang dari Melaka
Sudah berpadu kata sepakat
Kalau jodoh bertemu juga

Mawar merah di atas peti
Bunga melur saya kalungkan
Tuan rumah berbesar hati
Apa yang kurang mohon maafkan


koleksi zurinah hassan


Tuesday, July 11, 2017


Government of Malaysia has established  an award known as National literary award or the Anugerah Sastera Negara
The National Literary Award (ASN) is the nation's highest recognition of the literary figures,  given to writers writing in the national language of the country (i.e. Bahasa Melayu) who have contributed excellently in the development of  literature through the creation of high-quality creative works, thought and activities of great benefits to mankind and the community. 

 The recipient is chosen through nominations  from relevant institutions, such as universities and writers associations and qualified individuals which will go through assessment  by a panel of experts headed by the Minister of Education. The award,  conferred by the Seri Paduka Baginda Yang di-Pertuan Agong (the reigning monarch of Malaysia) carries the tittle of Sasterawan Negara or National Laureate.  

The award was set up in 1979  with Dewan Bahasa dan Pustaka (DBP) Malaysia Language and Literary Bureau as the Secretariat .

The first ceremony was held in 1981 at the Parliament House of Malaysia. Since the implementation of ASN ( 1979 to 2017) the country has awarded 13 literary figures the tittle of Sasterawan Negara. They are as follows (the year in bracket being the year of announcement  by Minister of Education as Chairman of the panel, while the award giving ceremony need not be in the same year):
   1)    Keris Mas (1981),
2)    Shahnon Ahmad (1982),
3)    Usman Awang (1983),
4)     A. Samad Said (1985),
5)    Wati Arena (1987),
6)    Muhammad Haji Salleh (1991),
7)     Noordin Hassan (1993),
8)    Abdullah Hussein (1996)
9)    S. Othman Kelantan (2003)
10)   Anwar Ridhwan (2009)
11)  Kemala (2011)
12)  Baha Zain (2013)
13)  Zurinah Hassan (2015)


THE FIRST AWARD CEREMONY IN 1981 AT PARLIAMENT HOUSE, THE TITTLE SASTERAWAN NEGARA (SN) CONFERRED TO KERIS MAS BY THE KING. 


SHAHNON AHMAD, THE SECOND SASTERAWAN NEGARA

USMAN AWANG, MALAYSIA'S MOST LOVED POET BEING THE 3RD RECIPIENT

ME WITH  ANWAR RIDHWAN  (10TH SN) AND THE FOURTH SN A.SAMAD SAID

THE 8TH SN , ABDULLAH HUSSEIN WAS ALMOST LIKE A FATHER TO ME

ME WITH ANWAR RIDHWAN AND BAHA ZAIN (12TH SN)

ONE DAY AT RUMAH GAPENA WITH KEMALA (THE 11THE SN) AND MUHAMMAD HAJI SALLEH (OUR NO.6TH) . .




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